Between Tides 2019 – a reflection

From late 2018 until April 2019 I worked with Clare Battersby, alias Fairy Clare, dance teacher and creatrix extraordinaire on Between Tides 2019.

This was a lovely event, with a range of artistic responses to the expanse of Westmere Beach (which ironically does not exist on the map!). The element of dance and discovery walks has been growing in the longstanding event (it first took place in 2002), and was blessed by perfect weather on Sunday April 7th.


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As this year passes, the memories of Between Tides are a golden room in my mind, reminding me of the value of being connected to place and space; also of the subtlety of materials and how they resonate with the ambience and textures of the location.  Between Tides happens in a transitory time, on the cusp between late summer and early autumn and just in the few hours between one high tide and the next. The event has a light touch, taking shape as the tide ebbs, and vanishing as the water returns, leaving no trace afterwards. It attracts people who want to work with a place, with its story and with its rhythm. The beach is, in its own way, a participant and key feature of all the works. For me, it takes away the pressure of being “the artist”, when the place contributes so much to the making. It also requires an extra responsibility for ensuring I am working with the beach and not simply using it as a platform.

But beyond any personal benefits for my art-making process, and the chance to give my mangroves another outing, the best part was working with Clare and all the artists who participated. It was also great to meet the local community, from the Kindergarten teachers who created a piece with the children to the residents we chatted as we delivered flyers. Crafting the whole event together was a new experience, and hopefully we will do it all over again next year!


Up/lit for LOOK

Always a pleasure to be involved in this Artweek Auckland event. LOOK means working with people running the businesses as well as the space, and whatever else is in there tooCoffee cup and other messages (2) – a good experience! I was thrilled to be invited to show in the window of Eighthirty Cafe having bought my coffees there when I was working at the Auckland Old Folks Association in 2015 – and enjoyed the message on it.

Grafting the 3 branches onto Dataspeed cable I found lurking at Surplustronics in Queen St turned them into wired vines (it was an oddity, the guys had no idea where it had come from and just charged me $1 a metre but it was the perfect thickness). A bit of lighting and they have a presence at night that extends beyond the window in a lovely unexpected way.

“Look back” is a hint to the past – to the former ridgetop path through the bush, and to the vanished view over the road from 553 K Rd to the huge tree beside the Church of Epiphany (now Torpedo 7) – and to my little knitted tree for LOOK 2016 at the other end of the strip.

Church of the Epiphany

The Grey show was very successful for Jersey redux, and has moved me into interesting new ways of working.  Being able to “contract out” some of the making –  providing the hand-drawn figures to Work-i-shop in K Rd who created the files and then laser-cut the perspex –  was great.  It meant I could trial and redraw quickly, making the most of the short time I had after returning from our (mostly) Celtic vacation during which I was totally obsessed by wildflowers and skies!

As usual I made work that was really hard to photograph (clear perspex) but Sait Akkerman (Arts Diary) managed this clever side-on image which caught the light as well as the shadow.

Now onto LOOK – I am preparing work to instal in the window of eighthirty cafe/roastery, 551 Karangahape Rd (near the Ponsonby end of K Rd), ready for the opening on Thursday 5th and for the official “week” of Artweek, October 7 – 15 .

Go to for the whole programme – so much to see!


Photo courtesy of

Emerging from winter explorations

From leaves lying on the footpath to those lying on the footpaths of Queen St – are they just the debris left by “growth”? What has happened to society? Do we not look beyond personal trajectories to see what is happening to people around us?

I have been sharing a room, half a garret, on Queen St, doing drawings, stitching, cutting, copying maps, veins and networks.

Increasingly distressed by daily seeing so many people reduced to begging, in the cold and wet of winter. What shame – what to do?

How well can art draw attention to our wounds, to our cruelty, to our stupidity? Is it the best tool or is it better than nothing?

Meanwhile I have committed to show at Grey. in Grey Lynn with Jersey, and cannot help myself wanting to create.  I know it does matter to celebrate beauty, the richness of the world, because otherwise why would we love and care for anything?  I try to combine all that I’ve seen and thought and let the work emerge.

P1070029 (Large)

Growing in the cracks, clinging to stone

With a few creaks my making year has launched. Ideas have been germinating during a quiet, fallow time, and are now taking shape. Just getting on with life, going on holiday, working on garden projects was a good distraction from over-thinking the art-making. I’ve also started sharing a studio space in town and that’s been a great stimulus for new work. Walking in I became aware of ivy-leafed toadflax, always a favourite, growing in any little crack in stonework or footpath. First subject for drawing!

In town – especially in Queen St – people fill the frame. Walking, sitting, driving, sleeping. Finding their place even when no-one wants to grant them a place. Stubbornly clinging to seats, forming clusters round the Library, some covering their heads while others engage us, walking past, to ask for change.

I am just going to draw, paint, stitch or twine – whatever seems a way to understand what I see.

And for a brief time, over in Parnell for White Night on Saturday 18th March, I’ll be making “Tracks” ( – more over the road in front of 252 than the address given (233)! The studio (Sunday School Union building) is open too for White Night – all a part of the excitement of the Auckland Arts Festival.

“Kiss me quick”



Ileostylus Micranthus


“Kiss me quick”

In my work over the last 5 years I have been using plant forms as metaphors for human experience and interaction.

“Kiss me quick”, uses the New Zealand mistletoe to put forward a plea to think about the consequences of clearing land for farming and harvestable forest. Loss of biodiversity makes the remaining plants and animals vulnerable to disease and climatic change. While we need food as native animals do, we have not borne their needs in mind while fulfilling ours.

Mistletoes are hemi-parasites, making food from the air and sun like other plants, but getting all their water from their host tree. Birds flourish where mistletoes grow, eating their nectar and tasty berries and acting as propagators by depositing the seeds on another branch where a new plant can grow. In this way mistletoes “knit together ecosystems”*. However, deforestation, reducing numbers and density of native trees, has had a huge impact on mistletoe numbers and bird populations. Now only green mistletoe is still relatively widespread because it can live on a variety of indigenous and exotic trees whereas the other, single host varieties, are endangered.

To kiss is to touch and merge our life-breath, and in fairy tales, to bring back to life, or to “quicken”. In many cultures the mistletoe is linked with fertility, which led to the modern tradition of kissing under the mistletoe at Christmas. We must have a deep need for these symbolic acts if they have lasted so long. These knitted mistletoes, imitating plants which must use tricks to attract important pollinators and propagators, are using bright colours and their warm tactility to draw you in to sit awhile. And maybe, while you rest and enjoy this place, you will reflect on the many values of diversity.

*  Bec Stanley (Curator, Auckland Botanic Gardens) on RNZ Nights, 13 July 2015p1050316 p1050317



A shady place to sit and contemplate….


p1050404crop Juliette and Elisabeth Laird

Thank you to David and Geraldine Bayley of Kaipara Coast Sculpture Gardens who generously allow artists to alter these shelter huts as suits the artwork.