Looking back, 2018 has been a full year – starting with the Whau Festival Clay workshop in May and culminating (so far) with installing work at NZ Sculpture OnShore which opened last night – November 2nd. So full that I have not been posting except a bit on facebook!
It has been a year of trying out the new and going further with the old – both techniques and materials, so in a way I feel pleased that I’ve so involved in making and thinking about making I have given little thought to putting up any information about what I am doing.
Working in the studio, playing with collage, stitch and found images has been interspersed with great opportunities:
- at Tacit gallery in Hamilton, my first time sending work to an unknown space
- at Whau Festival, bringing together my teaching experience with my enjoyment of participatory art-making in a drop-in clay workshop;
- at Grey Gallery, with Lyn Dallison and Carol Honson, showing the fruits of delving deep into themes and elements which seem part of my DNA;
- at NZSoS, focusing on the audience, both in my own work and when guiding my Year 8 students to their first experience of exhibiting;
Always a pleasure to be involved in this Artweek Auckland event. LOOK means working with people running the businesses as well as the space, and whatever else is in there too – a good experience! I was thrilled to be invited to show in the window of Eighthirty Cafe having bought my coffees there when I was working at the Auckland Old Folks Association in 2015 – and enjoyed the message on it.
Grafting the 3 branches onto Dataspeed cable I found lurking at Surplustronics in Queen St turned them into wired vines (it was an oddity, the guys had no idea where it had come from and just charged me $1 a metre but it was the perfect thickness). A bit of lighting and they have a presence at night that extends beyond the window in a lovely unexpected way.
“Look back” is a hint to the past – to the former ridgetop path through the bush, and to the vanished view over the road from 553 K Rd to the huge tree beside the Church of Epiphany (now Torpedo 7) – and to my little knitted tree for LOOK 2016 at the other end of the strip.
The Grey show was very successful for Jersey redux, and has moved me into interesting new ways of working. Being able to “contract out” some of the making – providing the hand-drawn figures to Work-i-shop in K Rd who created the files and then laser-cut the perspex – was great. It meant I could trial and redraw quickly, making the most of the short time I had after returning from our (mostly) Celtic vacation during which I was totally obsessed by wildflowers and skies!
As usual I made work that was really hard to photograph (clear perspex) but Sait Akkerman (Arts Diary) managed this clever side-on image which caught the light as well as the shadow.
Now onto LOOK – I am preparing work to instal in the window of eighthirty cafe/roastery, 551 Karangahape Rd (near the Ponsonby end of K Rd), ready for the opening on Thursday 5th and for the official “week” of Artweek, October 7 – 15 .
Go to http://artweekauckland.co.nz/events for the whole programme – so much to see!
Photo courtesy of artsdiary.co.nz
The exhibition of Jersey artists has come together so well – there is a sense of connection between the works developed quite independently.
The work is currently online at Grey Gallery’s website:
I was delighted to sell two of mine on Opening night – both to lovely people!
From leaves lying on the footpath to those lying on the footpaths of Queen St – are they just the debris left by “growth”? What has happened to society? Do we not look beyond personal trajectories to see what is happening to people around us?
I have been sharing a room, half a garret, on Queen St, doing drawings, stitching, cutting, copying maps, veins and networks.
Increasingly distressed by daily seeing so many people reduced to begging, in the cold and wet of winter. What shame – what to do?
How well can art draw attention to our wounds, to our cruelty, to our stupidity? Is it the best tool or is it better than nothing?
Meanwhile I have committed to show at Grey. in Grey Lynn with Jersey, and cannot help myself wanting to create. I know it does matter to celebrate beauty, the richness of the world, because otherwise why would we love and care for anything? I try to combine all that I’ve seen and thought and let the work emerge.
Legend has it that the faerie people disappeared when modern technology arrived, but evidence on Parnell’s footpaths is casting doubt on this. Alternative realities, parallel universes, the return of the fairies – why not? Enough strangeness in the world now to call up a host of weird creatures!
With a few creaks my making year has launched. Ideas have been germinating during a quiet, fallow time, and are now taking shape. Just getting on with life, going on holiday, working on garden projects was a good distraction from over-thinking the art-making. I’ve also started sharing a studio space in town and that’s been a great stimulus for new work. Walking in I became aware of ivy-leafed toadflax, always a favourite, growing in any little crack in stonework or footpath. First subject for drawing!
In town – especially in Queen St – people fill the frame. Walking, sitting, driving, sleeping. Finding their place even when no-one wants to grant them a place. Stubbornly clinging to seats, forming clusters round the Library, some covering their heads while others engage us, walking past, to ask for change.
I am just going to draw, paint, stitch or twine – whatever seems a way to understand what I see.
And for a brief time, over in Parnell for White Night on Saturday 18th March, I’ll be making “Tracks” (https://www.parnell.net.nz/white-night-parnell-2017/) – more over the road in front of 252 than the address given (233)! The studio (Sunday School Union building) is open too for White Night – all a part of the excitement of the Auckland Arts Festival.